Category Archives: Music

Two New (Old) Mixes To Massage Your Brain!

While traveling I usually somehow am able to pop out a mix during the down time at chill out spots I find on the road.  This year I was able to pop out two, but only because one of them is an older mix I ended up remastering and cutting a track out of just so I could get it past Soundcloud’s psychotic ‘Automatic Content Protection System’.  The first mix, which is the new one, is something I’ve wanted to do for a while, but hadn’t quite figured out how to go about it quite yet, until this trip.  This new mix came in handy over and over on 10 hour bus rides through Indonesia and Malaysia this year!

phish

I’ve wanted to do a mix of Phish songs for a while, but was never really sure how as the band does this themselves every time they play, and much better than I could do DJing their live tracks; plus this could never be done as there is just too much awesome to choose from. There’s also a lot of songs the band just doesn’t really play as often in a live setting that I absolutely love that are on the chiller, more acoustic side of Phish. So in that thought process I thought, ‘Why not make a downtempo Phish mix?

What you have here is just over 2 hours of Phish songs, solely from the LP’s and one EP – all studio recordings. I tried to fit something in from each one of the LP’s and sadly ‘Round Room’ just didn’t produce anything for me personally for this setting, even though we all know when played live those songs are incredible! The songs within were carefully chosen as my favorite beautiful, more melancholy, and softer sounding tracks; with a few oddballs in there to mix things up a bit. There is no jamming, no noodling, and no whale calls or signaling aliens here. This is the relaxed side of Phish. To me this is some of the of the most beautiful music the band has ever released, and so I’m celebrating it here.

Some of you will love this, some of you will loathe it – BUT for those of you who think Phish is only about the jams and the guitar masturbation, I urge you to check this out – I think you’ll be pleasantly surprised by how calm the band gets.  You can even almost fall asleep to this!

::: Slow Enough For You? :::

Bliss > Billy Breathes (Billy Breathes – 1996)
Eliza (A Picture of Nectar – 1992)
Mist (Farmhouse – 2000)
Train Song (Billy Breathes – 1996)
Catapult (A Picture of Nectar – 1992)
Strange Design (Free EP – 1996)
Horn (Rift – 1993)
The Oh Kee Pa Ceremony (Lawn Boy – 1990)
Wingsuit (Fuego – 2014)
What’s The Use (The Siket Disc – 1999)
Length > Horse > Silent (Rift – 1993)
Lifeboy (Hoist – 1994)
Farmhouse (Farmhouse – 2000)
I Been Around (Joy – 2009)
Manteca (A Picture of Nectar – 1992)
Winterqueen (Fuego – 2014)
Driver (Farmhouse – 2000)
Waste (Billy Breathes – 1996)
Scents And Subtle Sounds #1 (Undermind – 2004)
Fast Enough For You (Rift – 1993)
Talk (Billy Breathes – 1996)
The Inlaw Joise Wales (Farmhouse – 2000)
Roggae > Wading (The Story of the Ghost – 1998)
Swept Away > Steep (Billy Breathes – 1996)
Faht (A Picture of Nectar – 1992)
Brian and Robert (The Story of the Ghost – 1998)
Dirt (Farmhouse – 2000)
Dog Faced Boy (Hoist – 1994)
Secret Smile (Undermind – 2004)
Bug (Farmhouse – 2000)
Army Of One (Undermind – 2004)
Cars Trucks Busses (Billy Breathes – 1996)
Sleep (Farmhouse – 2000)
Grind (Undermind – 2004)

Unfortunately due to this entire mix being songs that were put out by Elektra Records, I had to find not the best site that would actually intake the mix without rejecting it due to ‘Content Violations’.  You can stream the mix with annoying banter every so often without creating an account, or you can download it by creating an account.  You can do that at this link:
http://www.mix.dj/video/4786125/slow-enough-for-you/

I’ve also made it easier to download in case you don’t want to sign up for a Mix.Dj account (which I don’t blame you).  Here is that download link via Dropbox:
https://www.dropbox.com/s/tyyhkwnww0x89o1/Sirius%20Sanuk%20-%20Slow%20Enough%20For%20You%3F%20%28A%20Phish%20Mix%29.mp3?dl=0

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Nival Sapien Adoration was recorded January 1st, 2009 at the Ashworthian Pantheon, Seattle using a Pioneer 500, two Technics 1200’s, one Pioneer CDj 800-MK2, and one Technics SL-DZ1200.  It was mixed within the walls of hibernation during the last days of 2008, and recorded on the first day of 2009.  By sadly removing the gorgeous Sigur Ros song from the beginning of the mix, I was able to sneak it onto Soundcloud finally.  I also remastered it to bump up and clean out the levels a bit.

:Tracklisting:

Arovane : Tomorrow Morning/Seaside : City Center Offices : 2000
Amorphous Androgynous : Mountain Goat : Astralwerks : 1993
Adam Johnson : Trinity : Merck : 2003
Tycho : From Home : Merck : 2006
Proem : Place Gun To Head : Merck : 2004
Lackluster : Cull Streak : defocus : 1999/2000
Telefon Tel Aviv : Your Face Reminds Me Of When I Was Old : Hefty Records : 2001
The Album Leaf : Brennivin : Acuarela Discos : 2003
Deru : Soulik (Lusine Remix) : Delikatessen Records : 2004
Lusine : Auto Pilot : Ghostly International : 2004
Playing With Knobs : Slowbird : audiblebicycleday : 2008 (SEATTLE!)
Gel-Sol : Unifactor : Upstairs Recordings : 2007 (SEATTLE!)
Osiris Indriya : Gifted : No Label/Entheogenetic Label Group : Unreleased/2007 (SEATTLE!)

You can download and/or stream Nival Sapien Adoration here:
https://soundcloud.com/skoisirius/nival-sapien-adoration-2015-rmstr

Really hope you enjoy one or both of these!

Much love.

~SS~
soundcloud.com/skoisirius
twitter.com/skoisirius

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A New Mix: Filthy Shed Seshions I

FILTHY

Well, well, well.  What started as a filthy, dirty, and grimey mix last year while I was living in a shed became a filthy, dirty, and kind of grimey epic mix spanning across the deeper side the real deal dubstep – at 140bpm of course.  What was interesting about this one is that the 25 minutes or so that started the whole basis of this mix didn’t actually end up making the cut in the finish, which had never happened to me before.  Really fun to watch these things change and morph as you play with different tracks and figuring out the puzzle of how they will eventually fit together.  Regardless, what this means however is that ‘Filthy Shed Seshions II’ will be birthed at some point – hopefully not too far into the future.

Really stoked on this one.  With everything from your classic Kryptic Minds sound to the futuristic genre pushing Goth-Trad to the newer Deadbeat (140 Deadbeat?!  Yes please!) to the Latin grooves of Mala to some Radiohead sampling iTAL tEK, this one is sure to keep you moving until the finish line where it eventually chills itself out.  Sit back, turn up the bass, and enjoy!

Downloadable here: https://soundcloud.com/skoisirius/filthy-shed-seshions-i

::: TRACKLISTING :::

Dusk + Blackdown – Drenched
Godspeed You Black Emperor! – The Dead Flag Blues
Dusk + Blackdown – (Keysound Rain)
Kryptic Minds – Hybrid (Biome Remix)
Biome – Two Way
Killawatt & Thelem – Kaba
Kryptic Minds – To Feel
Gantz – Cave Dance
Pinch & Shackleton – Torn & Submerged
Dusk + Blackdown – Iqbal’s Groove
Formless – Hidden Realm
Gantz – Choke
Pangaea – Neurons
DJ Madd – Secrets
Headhunter – Clone
Goth-Trad – Departure
Deadbeat – The Elephant In The Pool
Kryptic Minds – Askum
Biome – First Light
Mala – Calle F
Vancore – Who Am I
Oceania – Grow Wild
Vaun – Listen
iTAL tEK – Deep Pools
Kryptic Minds – Time Flies
Hyetal – Black Black Black
Vaccine – Anaesthetic

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Way. Too. Much. Hop. Volume One.

GRILLZ

So about a month ago I needed to take a break from this dubstep mix I’ve been working on for way too long…and for whatever reason, I decided to break it up with going into some hip-hop, which I’d been randomly listening to non-stop for a week or so.  I proceeded to go through my entire library (all 2.5TB’s) and pick out a selection of tunes based around hip-hop in the sub-genres of gangster rap, R&B, underground hip-hop, trip-hop, glitch-hop, and head-hop (like Prefuse 73, etc.).  By the time I was done going through all this music, I had something like 150+ tracks picked out – obviously way too many for a mix.  Whatever, I decided to go for it anyways.

Through a complete process of randomly choosing tracks, I tossed a bunch together, finding as many seques from these albums as I could to add some comedy, and ended up with an almost 2.5hr mix.  At that point, I decided that was enough.  Anyways, if you enjoy rap/hip-hop, and the sub-genres that follow, you might get a kick out of this nonsense.

Sirius Sanuk’s ‘Thug In My Nug Vol. One” is able to be streamed here:
http://www.mixcloud.com/skoisirius/sirius-sanuks-thug-in-my-nug-volume-one/

and downloaded here (by right clicking and hitting Save As):
http://datachurch.com/subs/skoisirrius/Sirius%20Sanuk’s%20Hip-Hop%20Marathan%20Volume%20One.mp3

Thanks again to Datachurch.com for hosting the mix, as Soundcloud’s annoying copyright protection algorithm banned this one from the get go!

Ah yes, specifically for the blog post, I decided to type out the whole tracklisting, in case anyone actually cares to know:

1.  Handsome Boy Modeling School – Look At This Face (Oh My God They’re Gorgeous)
2.  The Clonious – Fogged Spacesuit (Album Version)
3.  Andre 3000 Segue
4.  The Notorious B.I.G. – The World Is Filled (feat. Too Short & Puff Daddy)
5.  Sir-Mix-A-Lot – Posse On Broadway (206 Represent!!)
6.  Mariah Carey – Breakdown (feat. Bone-Thugs-N-Harmony)

7.  Andre 3000 Segue
8.  Roots Manuva – Witness (1 Hope)
9.  Warren G – ’94 Ho Draft
10.  504 Boyz – I Can Tell
11.  Devin The Dude – Reefer & Beer
12.  Warren G – Gangsta Sermon
13.  Geto  Boys – Damn It Feels Good To Be A Gangster
14.  Wu-Tang Clan – Wu-Tang: 7th Chamber
15.  Portishead – It Could Be Sweet
16.  Prefuse 73 – Silence (Interlude)
17.  Dj Krush – What’s Behind Darkness
18.  Andre 3000 Segue
19.  Pras – Ghetto Superstar (feat. Mya & Ol’ Dirty Bastard)
20.  Whatha Want To Do Segue
21.  Too Short – Cocktales
22.  Snoop Doggy Dogg – Lodi Dodi
23.  Niggaz & White Girls Interlude
24.  Tyrese – Sweet Lady
25.  Outkast – 13th Floor (Growing Old)
26.  Snoop Dogg’s Moment Of Silence
27.  Machinedrum – Uptown
28.  The Wizard – I Got
29.  Mo Thugs Family – Ghetto Cowboy
30.  Ja Rule – Put It On Me
31.  Notorious B.I.G. Fuckin’
32.  Brotha Lynch Hung – Rest In Piss
33.  Busta Rhymes – What’s It Gonna Be?! (feat. Janet Jackson)
34.  N.O.T.O.R.I.O.U.S.B.I.G.
35.  Madlib – Montara
36.  Digable Planets – Graffiti
37.  Radio W Ballz
38.  Andre 3000 – A Day In The Life Of Andre Benjamin

There ya have it folks.  Expect at least one (or two) more of these escapades before the summer’s out.  Oh yah, FYI: I wouldn’t put this on with your kids around.

Injoy!

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RūdElgin Drops A New Heavy Hitter: RūdE Moods Vol 2

Well well well…it’s been way too long since any info has been pushed through this blogspace…once again.  On that note, here’s a quick lick of information regarding so BASS.  And some heavy BASS at that.

The old homie Elgin Hakala just dropped a new heavy hitting dubstep mix of the most excellent kind.  Deep, dark, agressive, and airy, completely with not a lick of cheesey Americanized falsestep whatsoever.  Having not heard a mix from Elgin in a while, I was extremely excited to see him toss out a mix of the exact same type of true grimey dubstep that I’ve been into for the past couple years.

With an incredible tracklist mixed to keep your body in the groove, this one will be loved by anyone into the deeper side of the step…fans of Kryptic Minds, Biome, DJ Madd, Truth, Versa & Rowl, Osiris Music, Deep Heads, etc will absolutely love this business.  GET IT.

Lights down, heads up, this one’s a percy and it’s for download at Elgin’s Soundcloud:
https://soundcloud.com/rudelgin/rudemoodsvol2

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Spaciously Heavy New Album From Portland’s Natasha Kmeto!

On a random whim today I heard about a brand new album release from an artist I’ve heard a bit from, seen a few times, and met once or twice: Natasha Kmeto.  I first heard about Natasha through a series of events from Live’n’Love Productions up in Seattle, run by an old homie, Kyle.  Somehow Kyle had stumbled across her (as she’s from Portland, OR), and started booking her at random L’n’L events.  Believe I eventually saw her at one of the Photosynthesis Festivals of years past, and I remember being fairly stoked at how avant-garde the approach was to her own music.  I’ve since moved to the middle of no where California, and only heard a tiny snippets about her, here and there, until today.

It’s not often I toss down $10 for a 30-minute album without having heard most of it, but knowing she’s in the extended Fam, I went for it – and I’m quite happy I did.  The album starts out with the title track ‘Crisis‘, potentially my favorite off the album after a few listens.  Synth heavy and semi-retro sounding, her gut-wrenching vocal pulses wash over you as a very minimal trap beat exercises itself beneath all the other layers.  If all trap sounded like this, I’d listen to a lot more of it.  The album progresses into ‘Idiot Proof‘ which brings to the table a more vocal oriented track, letting everyone know that she ‘needs peace from all the things she’s supposed to be’.  Not knowing Natasha well enough, I’m not exactly sure what she’s talking about, but she gets the point across easily in minor chords with a very distant house beat in the background, surrounded by heavily arpeggiated synths.

The album is very mature, spacing out the tracks where her voice is the focal point, with many tracks consisting of clever vocal layers without any real singing in between.  I rather enjoy when someone who does get into vocals, uses them in this way, so that the entire album isn’t dominated with literary opinion, allowing other tracks to emotionally speak for themselves, without getting the ego involved.  ‘Take Out‘ is another vocal heavy house oriented track that has a very spaced out 80’s synth-wavey atmosphere, again, politely spacious – making it is quite obvious that Natasha truly knows how to make sure her sound voids are never messy.  Though it seems strange to admit, the album really has a dark and futuristic R&B setting going on throughout, which turns out to be quite rather brilliant.  I can’t really say it sounds like much else I’ve heard, even lately.

Overall, the spaciousness, the darker tones, and the very minimal usage of many points in electronic music make this album quite a solid output in my book.  My one complaint – it’s just too short!  Multiple of these tracks have me going strong at about two and a half minutes, and then they’re done!  I’ve never understood why certain artists love to build people up, just to drop them…Mount Kimbie and Odesza are a few others to name randomly – the builds are there, it crescendos, and finishes.  Personally I enjoy more time inside these fantastic spaces created by the artists.  That said, it’s not my music, and Natasha has created a short, but incredibly solid LP here.  Highly recommended!

More info on Natasha and the link to purchase the album (on tape for $7 if you’d like!) below:

http://www.natashakmeto.com/
http://droppinggems.bandcamp.com/album/crisis

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Excellent News: A New Machinedrum LP On NINJA TUNE Is On The Way.

STOKE.  Checked my What.CD Top10 List before bed, and what did I see?  A new Machinedrum single?!  Well that’s about as good as it gets these days in the more progressive side of bass music as far as I’m concerned.  After “Room(s)“, his last major output in 2011 for Mike Paradinas’ Planet Mu, I become completely infatuated with Travis Stewart’s Machinedrum moniker all over again (as I had once before in the Merck Records days).  “Room(s)” took a look at current bass music rooting itself in juke, and spashed elements of breakbeat, jungle, drum&bass, house, and dubstep all over itself.  There’s even a gorgeous pure ambient track to finish the album out – I’d honestly never heard anything like it!  The album got me into the whole juke/footwork sound, along with expanding my palate as a whole, surrounding my intellect with just where bass music was and could be headed at that point in time.

Back on track – so to see this new single pop up, and listed as being released on Ninja Tune (only one of the best labels of the past twenty years), you could pretty much say I had a minor freak out.  Downloaded it right quick, popped my Sennheiser’s on, and let myself bask in more glory.

Immediately something is different comparatively speaking against “Room(s)“.  The tempo is all the way up at 172bpm!  We could be looking at a drum&bass track here, but no, as the track unfolds, pitch-shifted vocal edits (most likely Travis himself as on “Room(s)“), and a very broken kick drum open the track up.  About two-plus minutes in, it fully let’s itself go into a whirling drum&bass backed juke oriented head bobber.  The drum work is excellent, of course.  Politely layered and spaced well, hi-hats and snare rolls float on top of the jukey kick drum.  The new speed doesn’t muck up at all where he has been on the last album.  After a solid minute of getting hit hard, the track breaks down into a beautiful and spacious forty seconds of bliss before dropping the broken juke oriented kick drum all over your ears again.  These broken parts I can see dancefloors having an interesting time with, but when he really lets the track go, it really is clearly made for some serious breakbeat style dancing – whatever your pleasure.

Suffice to say, I am extremely excited for this release – “Room(s)” was in my Top 3 of 2011, and I could place a safe bet that this may make that same list for 2013.  Here’s the track on Youtube for ya:

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A 66Psych Fest Experience by Sam Love

Sound Blast

This year’s Austin Psych Fest helped me envision the future of music festivals and what psychedelic music is bringing to the fields. Some of my favorite anticipated acts were Om, The Warlocks, Clinic, and Acid Mothers Temple. I’ve chosen to only highlight a few of the distinctive bands that my mind absorbed and swirled around to. The Black Angels, Deerhunter, and a newly discovered favorite of mine, Man or Astroman?

austin psych fest

Last year at Emo’s, I cut out early during The Black Angels‘ set to catch Peaking Lights, so I really wanted to be there for their Sunday performance. I absolutely love this band; I feel I owe it to them for cracking my eyes to an entire genre of heady rock music today, mostly by way of Psych Fest. They made magic on Sunday night. They opened with “Vikings” off of Directions To See A Ghost which was super…

View original post 608 more words

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A coherent transmission from the Realm of Boards of Canada…FINALLY, as it’s only been eight years!

Well, well, well.  Looks like all the tricks in the past few months have finally, and truly, led up to something!  This evening on BBC Radio, the first ‘single’ (funny saying that about something BoC releated) off of the new Boards of Canada album was officially released over the air.  This subsequently spawned a load of Tweets and Blogging from anyone and everyone paying attention including, but not limited to: XLR8R, Helios, Warp Records (duh), Richard Devine, Tycho, Bleep (duh), Detroit Underground, AND even Boards of Canada themselves (who all of a sudden have a Twitter account with around 16,000 followers and growing, which you can find that account here: https://twitter.com/boctransmission.

Along with the announcement comes the ability to purchase the single digitally from Bleep, which can be done here: https://bleep.com/release/44127-boards-of-canada-reach-for-the-dead .  NOTE:  If you pre-order the album in either format (Vinyl or CD) you will instantaneously get a download of an MP3 of ‘Reach For The Dead’.

Even further, and more exciting, was the drop of an HD video of your usual nostalgic visuals to accompany the new track on BoC’s official webpage: http://boardsofcanada.com/.

Though, since I love you all, here is the video, embedded, so you don’t even have to think about clicking away from TravelsAndTuness:

The track itself…how is it?!  It’s Boards of Canada.  I mean, I’ve only heard it a few times now, so I’m not going to spout out some random nonsense of an opinion after hearing this so recently.  Something I’ve had to learn over and over with new music I’m excited about is simply to not expect anything!  Let it flow over you, and form an opinion later!  That said, the track is very moody (surprise?!), has a bit more crispness to it on the drums then many BoC tracks I’ve heard, and is full on deep in synth (surprise?!), riding throughout almost the entire five minutes.  It’s fantastic.  It’s Boards of Canada.  There’s a whole album coming out we can all process and think too much about very soon…in about two weeks!

This is where I would normally say: WINNING!

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Four Tet Randomly Drops New LP of Old Material!

Four Tet Randomly Drops New LP of Old Material!

WOW.  If you’re a music lover in the electronica or jazz world and don’t know Four Tet already, then, this is a great place to start!  For everyone else that hasn’t been hiding under a rock for the past 20 years or so, THERE IS A NEW FOUR TET RELEASE!

Apparently this is all material written from 1997 – 2001 or so, meaning – more tunes that sound like ‘Rounds’ (which is hands down, one of the best pieces of contemporary music to date)!

It’s currently available for a FREE DOWNLOAD on his Soundcloud ( https://soundcloud.com/four-tet/0181-1 ), so get on over to it and soak in the bliss!

Injoy!

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Music for the Ear…as of late. The Third.

August 15th, 2012

What what.  Seems I can’t keep up with myself on these.  Ah well, been busy!  In the headphones and on the Mackie’s…noise, psych-rock, some steppin’ thing called chillstep…it’s all over the place As of Late.

: Speck :
: Harmonia : Echotourist : 2012
:
~ ambient, drone, noise, experimental, modern.classical ~

Over the top excitement on this one!  I’m currently on some sort of third or fourth listen of this new album from who seems to be a fairly new artist, Speck.  I am utterly floored.  Inside of ‘Find Me, Find Me’ I am completely lost, yet drifting in a sense of my own dismay, and enjoying it!  The distortion on the guitars throughout this album is not for the faint of heart – Speck requires all of your attention and will to hold on.  Moments of intensity almost unbearable at times will float right into pockets of beauty, often lead by a grand piano, or maybe a harp.  Breathtaking.  Very remniscent of Christian Fennesz’s various works, yet even drier on the noise sections of the pieces.  I am taken aback by how well put together this entire 41 minutes are.  The two ‘Harmonia (Hymn)’s are particularly standout, although the length of the album really runs together as one piece quite smoothly.  Through the pieces lush riffs of melancholy vibrations lurk in the foreground, while pieces of what may be Speck’s life come twirling out at you in random patterns, making for a very disorienting ride…ride the waves of static, if you will.  I’d never heard of the new Echotourist label before, but I’ll definitely be keeping an eye on them.  If you’re a fan of noise, drone, field recordings, or of course, all three – this is not to be missed.

Catch free downloads from Echotourist at their Bandcamp page: http://echotourist.bandcamp.com/

: The Black Angels :
: Passover / Directions To See A Ghost : Light In The Attic : 2006 / 2008
:
~ psychedelic.rock, garage.rock ~

What can be said about The Black Angels?  They are by far one of my favorite active bands of the time.  I was introduced to them through a friend and was instantaneously sucked into their swirling tribal spiral.  The on-point repetitive drumming through many of the tracks add an element of hypnosis, pulling you in even deeper to the realm of the late 60’s and early 70’s guitar heavy era.  Groovy at times, if you will.  Guitarist Christian Bland’s guitar lines are wet with pedals as can be, continuously.  Flange, distortion, echo, and more…classic elements sounding fresh and inviting to your ears.  Alex Maas’s vocals are soothing to the ears, pulling feelings of Morrison through your brain again.  I had the pleasure of seeing them live (finally) this year in their hometown of Austin, Texas during their annual festival the Austin Psych Fest.  Four days of 8-10 hours of non-stop rock music bliss.  Their set was definitely a highlight out of the 50+ bands.  While the group now has three full length’s, the first two are just enough in a different direction to really hold them in a special place in my heart.  I will continue to follow this incredible project until they quit or disband, and know I will listen to these albums over and over for years to come!

: Stumbleine :
~ chillstep, chillwave, lo.fi, electronic, shoegaze ~

Alright, think of taking a bit of Burial, Baths, My Bloody Valentine, Boards of Canada, Shigeto, and maybe even a bit of newer BT, smashing them all together seamlessly, and rather politely.  That is the best way formulated to describe the sound heard from this project.  Almost 40 tracks I’ve gone through from Stumbleine now and I’m sucked in every time.  This could easily the closest sounding to what may be true chillstep.  Lush fields of nostalgia and new found love right after you lost a love are all around you.  Bask in it, if you will.  ‘Glacier’ from The Night Before is quite possibly the most listened to selection at the current moment.  The soft echoing vocal calls you into the state of mind being spoken to you throughout this uplifting three minutes and forty four seconds of pure joy.  Catchy popped riffs elegantly executed on top of the triple-clapped, crunched, and extremely wet snares; a style that has been becoming more and more of a standard within certain brands of subgenres of dubstep.  Not much information has come out so far about Stumbleine.  I honestly couldn’t find much intel out there in the good old World Wide Web besides the facts that the project is from the UK, joined Crackbook on 12/14/2010, and has a ton of music on their Soundcloud for you to fall in love with.

: Sensiva :
: Giosun : Sensotech : 2005 :
~ downtempo, idm, ambient, pre-glitch ~

This has to be one of the most amazing albums of it’s kind.  Every time I listen to it, which is somehow not more often, I am taken aback by mesmerizing beauty unfolding in my ears.  Each track is carefully gliding right through your senses, filling them with another land, not far off, but just within reach over the horizon.  The weather is beautiful, if you will.  Being the only release on Sensotech, Russian Artem Galukhin (Артём Галухин) delivers a true masterpiece, one even the brothers of Boards of Canada, whom it seems to be partially inspired by, would appreciate.  The pieces are synth haunting heavy throughout, yet always reminding you at all times how beautiful life actually can be (and is).  Multi-layered drum sections allow you to gently ride the river down this immense drone filled cavern.  Unfortunately Sensiva hasn’t been heard from in years at this point, but one can always hope that more material may surface someday.  Definitely can sense this one being a favorite for many many years to come.

Phish
~ rock, jam.band, folk, space jazz ~

This may surprise some of you to read this.  Well, be surprised, be very surprised.  I absolutely LOVE Phish.  My first girlfriend ever introduced them to me through the “A Live One” live CD on Elektra back in 1996 or so.  Since then I’ve had my waves of going in and out of listening to them non-stop, and this summer has been one of those IN times.  Massively addicted with no end in sight, if you will.  Along with the incredible collection of live shows that what.CD has to offer, and working outside (Phish goes great with the outside, don’t ya know?), there has been “way too much” Phish going on around the property according to my roomie.  Beyond that I will say nothing, but I will list off a few of the selections I’m listening to on repeat lately:

Hampton Comes Alive – Wading In The Velvet Sea, Sabotage (Beastie Boys), Mike’s Song
“A Live One”: Gumbo, The Squirming Coil
2012/07/01, East Troy, WI: Gotta Jibboo, No Quarter (Led Zeppelin), Farmhouse, Happiness Is A Warm Gun (The Beatles)
2012/07/08, Saratoga Springs, NY: Foam, David Bowie, You Enjoy Myself
July 4th, 2010, Alpharetta, GA: This set is over the top!  Bowie, Jibboo, Ghost>Waste, and a Mike’s Groove with Mike’s Song>Tela>Harpua>KILLING IN THE NAME OF (Rage Against The Machine)>Harpua>Weekapaug Groove.  Encore with First Tube.  Incredible show!!
Field of Heaven, Fuji Rock Festival, July 31, 1999 – Niigata, Japan: 2001

Wen
: Unreleased/Soundcloud :
~ post.dubstep, minimal, 130bpm, bass.music ~

Glorious.  Stumbled across this thickness through a good old friend of mine who knows more about the true sounds of dubstep as a whole more than anyone I know.  He sent me over to his Soundcloud page, and the evening I decided to check it out, I ended listening to everything he has posted up, possibly multiple times.  Extremely minimal, lush, subtle, cleanly dirty, and at a different than normal speed than most songs in what’s subgenre.  Some of the best dubstep I’ve really…ever heard!  Reminiscent of Kryptic Minds’s extremely clean yet spacious sounds, yet bringing in more of a light tough of Eastern influence instead of locking you away in the basement the whole time.  Completely blown away.  Wen has no official releases yet, but the mind’s behind Dusk + Blackdown seem to be keen on the youngster, with rumors of some output on their Keysound Recordings.  We can only hope.  Until then I will continue to soak in whatever he puts up on Soundcloud, which by the way is at this link: http://soundcloud.com/w3n/tracks  Excited to see what the future hold’s for this newcomer!

Badaboom.  ‘Till next time.

~S~

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